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Music software is the internal programming of computers that supports musical production. Music software has been around for nearly 40 years.

Harmonies range from the common triad to parallel fourths and fifths and dissonant harmonic progressions.[10] Rock songs, since the late 1950s[11] and particularly from the mid-1960s onwards, often used the verse-chorus structure derived from blues and folk music, but there has been considerable variation from this model.[12] Critics have stressed the eclecticism and stylistic diversity of rock.[13] Because of its complex history and tendency to borrow from other musical and cultural forms, it has been argued that "it is impossible to bind rock music to a rigidly delineated musical definition. Pop music has been dominated by the American and (from the mid-1960s) British music industries, whose influence has made pop music something of an international monoculture, but most regions and countries have their own form of pop music, sometimes producing local versions of wider trends, and lending them local characteristics.[20] Some of these trends (for example Europop) have had a significant impact of the development of the genre. Similarly, 1970s punk culture spawned the visually distinctive goth and emo subcultures. It is "not driven by any significant ambition except profit and commercial reward ... Classically, a rock band takes the form of a quartet whose members cover one or more roles, including vocalist, lead guitarist, rhythm guitarist, bass guitarist, drummer and often that of keyboard player or other instrumentalist. Pop music has been dominated by the American and (from the mid-1960s) British music industries, whose influence has made pop music something of an international monoculture, but most regions and countries have their own form of pop music, sometimes producing local versions of wider trends, and lending them local characteristics.[20] Some of these trends (for example Europop) have had a significant impact of the development of the genre. Since the term rock began to be used in preference to rock and roll from the late-1960s, it has often been contrasted with pop music, with which it has shared many characteristics, but from which it is often distanced by an emphasis on musicianship, live performance and a focus on serious and progressive themes as part of an ideology of authenticity that is frequently combined with an awareness of the genre's history and development.[20] According to Simon Frith "rock was something more than pop, something more than rock and roll.

MIDI

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MIDI (/ˈmɪdi/; short for Musical Instrument Digital Interface)

MIDI (/ˈmɪdi/; short for Musical Instrument Digital Interface) is a technical standard that describes a protocol, digital interface and connectors and allows a wide variety of electronic musical instruments, computers and other related devices to connect and communicate with one another. A single MIDI link can carry up to sixteen channels of information, each of which can be routed to a separate device. MIDI carries event messages that specify notation, pitch and velocity, control signals for parameters such as volume, vibrato, audio panning, cues, and clock signals that set and synchronize tempo between multiple devices. These messages are sent to other devices where they control sound generation and other features. This data can also be recorded into a hardware or software device called a sequencer, which can be used to edit the data and to play it back at a later time. Some composers may take advantage of MIDI 1.0 and General MIDI (GM) technology to allow musical data files to be shared among various electronic instruments by using a standard, portable set of commands and parameters.

MP3

MPEG-1 or MPEG-2 Audio Layer III, more commonly referred to as MP3

MPEG-1 or MPEG-2 Audio Layer III, more commonly referred to as MP3, is an audio coding format for digital audio which uses a form of lossy data compression. It is a common audio format for consumer audio streaming or storage, as well as a de facto standard of digital audio compression for the transfer and playback of music on most digital audio players. The compression works by reducing accuracy of certain parts of sound that are considered to be beyond the auditory resolution ability of most people. This method is commonly referred to as perceptual coding.

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